Lesbians Over Everything is a platform for women who love women to share their stories, heartbreaks and triumphs. A few months ago, I contributed to the segment “Every Woman I’ve Ever Loved,” a space for accounts of women who’ve moved us. The following is a concept I’d had in mind since 2015.
I would tell you what she looks like, but I can’t. She asked me not to. As a writer, it’s frustrating to be told that I can’t describe a subject, but I suppose I can tell you where we were the last time I saw her, when, and why:
The Firestone train station on the Los Angeles Blue Line, dim stone, chipped archways, and lingering smell of urine. Ten a.m. on a rainy February. She was returning some of my things. Our relationship was over.
I arrived at the platform long before she did, knowing that she was showing up late and making me wait for her on purpose. Sitting on the hard concrete slab that served as a bench, bored, I watched the rain fall on the empty tracks. This could be a scene from a romance novel, I said to myself, the trains are a symbol here, of her leaving my life, of my having to move on, or of the rapid, slapdash pace at which we modern humans live. And the rainfall, maybe, a symbol of my misery.
I thought this even though I wasn’t at all miserable. In fact, when she arrived and sat beside me, giving no hello or warning and wearing sunglasses in the rain, the moment was void of romance or sentiment.
Awkward and terse, making a strained effort to not make eye contact, she held out a plastic Target shopping bag at me. Is she seriously wearing sunglasses? I thought, taking the bag and almost laughing, though there was absolutely nothing funny about this moment.
Once the transaction was finished, she stood up, cleared her throat.
“Can you do me a favor?” She pitched her voice down to its deepest register, the way she often did when we fought. “Don’t make me a character in one of your little stories.”
She walked away, that line serving as her goodbye, and I realized that if there was a way to make me feel miserable over a break up, well. That was it.
She read all of my stories. She knew that writing about the women who have moved me, hurt me, or shamed me in the past is how I process things, how I really move on. If I can turn a random, painful situation into a meaningful narrative, write about our ending in another time and place, whatever pain I feel is worth it in the end. Was she taking my process on purpose?
The train arrived just moments later. I got on and tried to keep my mind from plotting points, coming up with idealistic character arcs for she and I. Though it went against my self imposed nature, I saw everything around me just for what it is, and not what it represents:
It was blindingly white inside the train. The light bulbs above me buzzed dull and monotone. The teal linoleum floors were sticky, and sweat and body odor permeated the steel seats. Rainwater slivered down the grey sides of the windows, whizzing and flowing in time with the moving industrial scenery. Immortal by Marina and the Diamonds played in my earbuds, the singer’s deep voice echoed and ethereal. She crooned of love lasting forever, earth’s end in fire, and seas frozen in time.
The song reminded me of her, of nights we spent in the dark, feeling like I’d finally found a love that was eternal. This was the part she didn’t want. Me romanticizing what was really a relationship wrought with fighting. Memorializing the details of her person would give it proof. Does she not want to be remembered for her wrongs? I assume she will always remember me for mine.
I looked down at the Target bag tied tightly shut in my lap, the logos redrawing images of drops of blood on white cotton pads. I opened the bag, curious as to why she tied it shut, and was overwhelmed by a sudden remorse. Everything inside of it smelled like her now, her skin, her house, her warmth and those nights. Will any of the following identify her? Aveeno lotion, men’s pine deodorant, faint hints of dust and cigarettes, burnt cinnamon incense. My t-shirts, lingerie, even the books were imbued with her scent. They weren’t just my things anymore.
Soon as the scent tinged my nostrils, my eyes watered instantly, stinging, without my permission. Tears fell, out of place and too late. I was out of the moment constantly when we were together. Always plotting the next thing, focusing on what I would write down about our hypothetical future on some date. If we got there. Fixating on both of our pasts, blaming our disharmony on our families, childhoods, society, anything.
Her scent brought her within my grasp, but not close enough, and all I wanted was not my obsession with future or the past, but a present moment:
It’s November. I’m lying on her bed alone in her room, naked, waiting for her to come home after work. I am blissful and content. I press my cheek to her still wet pillow, inhaling her sweet conditioner, that way her skin smells. Stare at the cracks in her window blinds, the chipping ceiling, the piles of her clothes, the various trinkets on her desk that haven’t been so much as nudged out of their “place” in over a year. I have existed in this room, I have loved in this room. It’s broken, and she often leaves me here alone in it. But it’s home.
I traveled further and further away from that home, as the train passed through Compton and Watts in the rain. The more miles I put between us, the more I knew and understood her intention: from now on, I can see the room in my mind’s eye, but she does not want me to have the privilege of imagining her there.
The temporary time travel, her scent on my things, overwhelmed me the point that something like miserable was going to be the next stop on the train. By that time, though, I had exited it. Moved through the Willow street station at the end of the Blue Line, walking the path back to my own space. In my solitary bedroom, I sprayed everything in the bag she gave me with my own perfume – heavy, syrupy, saccharine – suffocating the portal that pulled me back into her.